Italy, Rome, Janiculan Hill (Gianicolo), Trastevere Giacomo Lauro, 1624, Mons Ianiculus

View of the top of the Janiculan Hill (as it was in Antiquity).

The Janiculum (Italian: Gianicolo), occasionally known as the Janiculan Hill, is a hill in western Rome, Italy. Although it is the second-tallest hill (the tallest being Monte Mario) in the contemporary city of Rome, the Janiculum does not figure among the proverbial Seven Hills of Rome, being west of the Tiber and outside the boundaries of the ancient city.

It is one of the best locations in Rome for a scenic view of central Rome with its domes and bell towers. Other sights on the Janiculum include the church of San Pietro in Montorio, on what was formerly thought to be the site of St Peter's crucifixion; a small shrine known as the Tempietto, designed by Donato Bramante, marks the supposed site of Peter's death. The Janiculum also houses a Baroque fountain built by Pope Paul V in the late 17th century, the Fontana dell'Acqua Paola, and several foreign research institutions, including the American and Spanish Academies in Rome. The Hill is also the location of The American University of Rome, Pontifical Urban University, and Pontifical North American College, as well as the Orto Botanico dell'Università di Roma "La Sapienza" and the Palazzo Montorio, residence of the Ambassadors of Spain.

The Villa Lante al Gianicolo by Giulio Romano (1520–21) is an important early building by the Mannerist master, also with magnificent views.

The engraving is taken from ´Splendore dell antica e moderna Roma ...´, published in Rome in 1624 (first edition started being published in parts from 1612 onwards). The view is explained in Latin text below the engraving.

Giacomo Lauro (or Jacobus Laurus) was an engraver, printer and print publisher. Active in Rome from 1583, when described as 'intagliatori di rame' (Ashby p.362). 17 March 1598 he applied for and was granted a 10-year papal privilege for an unspecified number of unnamed religious prints (Leuschner). Giacomo Lauro’s place and date of birth are unknown, although his signature “Jacobus Laurus Romanus” seems to indicate that the artist was proudly born Roman.

Lauro's earliest dated prints are of 1582 (Martyrdom of St Catherine), and carry the address of C. Duchetti (Ashby, 1926-27, p.362). He also worked for Panzera, c.1589 (Bertolotti). From 1590 he tried to establish himself as a publisher of his own work . He acquired and restored old plates, published copies of classic prints as Marcantonio's St Paul preaching (B.XIV.50.44). He accepted commissions, as the map of Rocca Contrada, 1594 (Anselmi). He probably acquired plates from Jacob Matham which he published in 1598 (Widerkehr). His 'Antiquae Urbis Splendor' was published in parts from 1612. In the volumes issued in 1614 and 1615 Lauro refers to having worked on the study of antiquity for 28 years which would mean that he began this work about 1586 (see Ashby, 1926-27, p.362).

Excellent. Strong paper. Ample margins.

Image 18x23cm, page 22x32cm